Elizabeth Jaeger’s (b. 1988 lives and works in Brooklyn, NY) sculptures embed common figural elements in existential concepts of reality and perception. Sculptures like elongated human bodies with mask-like faces, truncated torsos, greyhound dogs, empty furniture or vases typically start with a personal experience or event. From there, they unfold a larger picture of phenomenological concerns. Despite a seeming familiarity with the objects’ figurativeness there is a sense of disquiet and subtle uncanniness inherent in Jaeger’s work which challenges the viewer’s relationship to their own physicality, their surrounding and their consciousness. 

Recent solo and two-person exhibitions include Pommel and Six-Thirty at Jack Hanley Gallery, 8.30 at And Now in Dallas, and Music Stand at Eli Ping, New York. The artist has participated in numerous group exhibitions including Mirror Cells at the Whitney Museum of American Art, Moma PS1's Greater New Yorkand Sculpture Center's In Practice: Fantasy Can Invent Nothing New. Most recently, the artist exhibited in Dreamers Awake at White Cube, London, 99 Cents or Less at the Museum of Contemporary Art Detroit, Sticky Fingers at Arsenal Contemporary, and The Sun and the Rainfall II at Galleria Zero, Milan. 

Jaeger has exhibited across America and internationally. Published works include Vitamin C: Clay and Ceramics in Contemporary Art (Phaidon, 2017) Dreamers Awake (White Cube, 2017)  Eros C’Est La Vie (Totem, 2013) and How Other People See Me (Publication Studio, 2011). Additionally, Jaeger co-founded and operates Peradam with Sam Cate-Gumpert, a publishing house specializing in artists’ books.

 

Art in America Interview with Elizabeth Jaeger, 2017

Artforum Review of Jaeger's Exhibition at And Now, Dallas, 2015

New York Times Article on Jaeger's work and Six-Thirty Exhibition at Jack Hanley Gallery, 2014

Art in America Review of Six-Thirty Exhibition at Jack Hanley Gallery, 2014