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Anna Von Mertens - Curriculum Vitae
b. 1973, Boston, MALives and works in Peterborough, NH
Education
| 1995 | Brown University, Providence, RI |
| 2000 | California College of Arts and Crafts, San Francisco CA |
Solo Exhibitions
2008  | |
| As the Stars Go By, Thacher Gallery, University of San Francisco, San Francisco, CA | |
| While, OKOK Gallery, Seattle | |
| Endings, Sara Meltzer Gallery, New York | |
| 2007 | |
| Anna Von Mertens, University Art Museum, California State University, Long Beach | |
| 2006 | |
| As the Stars Go By, Jack Hanley Gallery, San Francisco | |
| 2005 | |
| Suggested North Points, University Art Museum, University of California, Santa Barbara | |
| Black and White, Shades of Gray, Lizabeth Oliveria Gallery, Los Angeles | |
| 2004 | |
| Point of View, Mills College Art Museum, Oakland | |
| 2003 | |
| MATRIX 207/ Suggested North Points, Berkeley Art Museum, Berkeley | |
| 2002 | |
| Introductions 2002, Gallery Paule Anglim, San Francisco | |
| 2001 | |
| Via, Southern Exposure, San Francisco | |
| Migrations, Project Space, Headlands Center for the Arts, Sausalito | |
Group Exhibitions
| 2008 | |
| In the Private Eye , Ise Cultural Foundation, New York, NY | |
| 2007 | |
| New Work from Recent Graduates of the California College of the Arts, Elizabeth Leach Gallery, Portland, OR | |
| Artists of Invention: A Century of CCA, Oakland Museum of California, Oakland, CA | |
| Material Pursuits , Robert Hull Fleming Museum, University of Vermont, Burlington, VT | |
| 2006 | |
| Prevailing Climate, Sara Meltzer Gallery, New York | |
| The Searchers, White Box, New York | |
| Juxtapositions(2): View-Vista-Perspective, Sara Meltzer Gallery, New York | |
| Pulse 2006, 1708 Gallery Biennial, 1708 Gallery, Richmond, VA | |
| Softly Threatening: Artwork of the Modern Domestic, Bumbershoot Arts Festival, Seattle Center, Seattle | |
| 2005 | |
| Bay Area Now 4, Yerba Buena Center for the Arts, San Francisco | |
| Mental Maps, Dorsky Gallery Curatorial Programs, Long Island City | |
| Practice Makes Perfect: Bay Area Conceptual Craft, Southern Exposure, San Francisco | |
| 2004 | |
| Topographies, Pasadena Museum of California Art, Pasadena | |
| Astonishing Knowledge , Center for Curatorial Studies Museum, Bard College, Annandale-on-Hudson, New York | |
| Topographies, San Francisco Art Institute Walter and McBean Gallery, San Francisco | |
| 2003 | |
| Sewn Together, Gregory Lind Gallery, San Francisco | |
| Close Calls: An Exhibition of California Art, Headlands Center for the Arts, Sausalito | |
| 2002 | |
| Maps and Charts, Penrose Gallery, Tyler School of Art, Philadelphia | |
| Conceptual Color: In Albers' Afterimage, The Museum of Art and History, Santa Cruz | |
| High Tech/Low Tech Hybrids: Art in a Digital Age, Bedford Gallery, Walnut Creek, CA | |
| Night Skies and Imaginary Coordinates: The Artist as Navigator, Palo Alto Art Center, Palo Alto, CA | |
| Commission 02, San Francisco Arts Commission Gallery, San Francisco | |
| 2001 | |
| Emerge, GenArtSF, San Francisco | |
| Mapping, Works Gallery, San Jose, CA | |
| Body: Inner and Outer Landscapes, Balazo Gallery, San Francisco | |
| 2000 | |
| Bay Area Selections: The Annual Ernie Kim Award, Richmond Art Center, Richmond, CA | |
| Point of Departure, California College of Arts and Crafts MFA Exhibition, San Francisco | |
| It Can Change 2000, 3012 Harrison, Oakland | |
| Annual Invitational Auction, Renwick Gallery, Smithsonian American Art Museum, Washington D.C. | |